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10 Years of ‘Giants’

10 years ofย Giants. Damn. 2015. Back then I was walking laps on the yard at Blackwater withย Jacob Gaulden, my release date was in 2032, my nephew Jude was still rockinโ€™ a bald head with glasses, and I was on an archeological dig in the netherworld of imagination in search of my third novel. You never know what you will unearth when you begin writing. This time I emerged withย On the Shoulders of Giantsย (published Oct. 2016), a book that I hope will still be making the rounds in the US prison system 100 years after Iโ€™m gone. (I recently received a letter from a reader in a facility way up in Elk Grove Montana!) I try not play favorites with my children butย Giantsย will always hold a special place in my heart. To cop the late Pat Conroy for the millionth time, I would lay it at the alter of God and say this is how I found the world you made. 2015 was a difficult year. But things were about to turn around. A life-changingย Supreme Court rulingย was on the horizon and some good people were about to come into my life. Now here we are at the doorstep of freedom. Life is good.

Photo of a half-finished sketch of the Pensacola welcome sing.
Interior artwork by Michelene Phillips

Steven Pressfield

A hero of mine just lost his home in a California wildfire. Heโ€™s more than just my hero; heโ€™s a national treasure. A Made-in-America success story. Steven Pressfield. Mom saw him on Oprahโ€™s Super Soul Sunday a decade ago and ordered me his book on maximizing creative potential. Youโ€™ve probably heard me talk about it before. Itโ€™s called The War of Art. If there is any creative endeavor that is tugging at youโ€”a screenplay, a novel, a startup, a nonprofit for at-risk teensโ€”I implore you to get this massive little paperback. Iโ€™ve probably ordered more than ten of them since 2014. Every time I meet a fellow writer or seeker at a new prison, I end up leaving them my copy when I transfer.

War of Art is not his only book. His most popular work was made into a movie featuring Will Smithโ€”The Legend of Bagger Vance. Heโ€™s written other screenplays and books as well. Fiction and nonfiction. After driving semis and crisscrossing the U.S. during the late โ€™60s and โ€™70s, hellbent on destroying himself, doing everything except the one thing he was born to do, he finally began banging out his first story on an old typewriter while living in a van. When he finished that one, he immediately began the next. Forty years later, heโ€™s still writing. Still living his message: Do the work.

I had been telling Shonda I wanted to write him and send him some of my novels since we first started Astral Pipeline Books in 2020. Another letter to the Universe. Iโ€™ve written hundreds over the years. Presidents, professors, producers, politicians . . . But Steven Pressfield was not just some industry guy I wanted to make an elevator pitch to. He was my guru. His book gave me the blueprint on how to conquer myself daily and approach the craft like a professional. Without his guidance, there would be no On the Shoulders of Giants. No Miranda Rights series. No Stick & Stones.

I was in between state and federal prison when I finally began the letter. I wrote it in pencil on the floor of a jail cell in Milton, Florida, around Christmas of 2023. The Milton Hilton. I might have procrastinated a little longer if not for a gentle nudge from Shonda who told me he was nearing 80 years old. I had no idea.

I donโ€™t expect responses to my letters anymore. Half the time, the boxes of books we send get intercepted by gatekeepers and assistants and are probably disposed of with the rest of the junk mail. I donโ€™t take it personal. My job is to write the best books I can and send them all over the world. Exhaust every avenue. This is the one thing I can controlโ€”the work. And the work is its own reward. (I learned this from Steven Pressfield.)

So you can imagine my reaction when he wrote me back! He didnโ€™t just write me back. He sent a box of his own books to Momโ€™s house. Leather-bound collectors type stuff, hardcovers, titles I have not yet read. Very cool. He said he enjoyed reading Letters to the Universe. And he offered to buy me dinner when I get out. The return address on his letter was Malibu, California.

My mind keeps going back to the opening pages of War of Art where he describes his writing processโ€”putting on his boots with special shoelaces from his niece, his lucky hoodie, a charm he got from a gypsy in France, his military dog tags with the name โ€œLargoโ€ on them, aiming a tiny cannon his friend brought him back from Morro Castle in Cuba at his chair to fire off inspiration, going through a few other little ritualistic things . . . then beginning the dayโ€™s hunt. Will it be good? Doesnโ€™t matter. Doing the work is his chief concern. After a few hours in the story-world, he would hit a point of diminishing returns, shut down shop for the day, copy his progress on a disc and lock it in his van for safety โ€œin case of a fire.โ€ I remember reading this for the first time and thinking, โ€œCome on, man. Stashing a copy in the van in case of a fire. Thatโ€™s a little overkill.โ€

Yeah, not so much.

I hope he had time to prepare. I hope he was able to gather all those little items that have been part of his process over the years. The cannon, the laces, the Largo dog tag . . . I hope his current work-in-progress was saved to a thumb drive in his vehicle, just like in War of Art. I doubt he grabbed my books. Iโ€™m pretty sure they were low on the list of things to shove in the bag during the chaos of evacuation. I keep thinking about them too though, my books. All the love and struggle and hope tied up in those words, now embers 2,000 miles across the country, swirling in the Santa Ana winds.

Mostly, Iโ€™m just glad he made it out. โ€œThe most important things in life arenโ€™t things.โ€ I was on the fence about writing this. Especially since he hasnโ€™t said anything about it on Substack to date. Heโ€™s not the type of dude to post about things like this. A book, absolutely. But a drive-by tweet or TikTok video lamenting his own misfortune? I wouldnโ€™t hold my breath. Heโ€™s from a bygone era, one where men donโ€™t wear lifeโ€™s injustices on their sleeves like badges of honor. And Iโ€™m definitely not trying to capitalize on his misfortune. Again, I debated even writing this. I told Shonda as much on the phone the other night. But as soon as we hung up and I was walking back to my cell, I spotted a book by the stairwell. (I stop for abandoned books in prison the way some people stop for stray animals out there in society. I canโ€™t resist.) The cover art was a fiery scene. Burning ships in harbor. When I reached for it, I spotted the author and title. Tides of War by Steven Pressfield.

A green light from the Universe.

If you have not yet read War of Art, you should interpret this message as your own little green light from the Universe and order yourself a copy. Itโ€™s a small book that coincides perfectly with the New Yearโ€™s resolutions you just set. And it supports a guy who just lost his home.

Your unlived life awaits.

โ€”January 16, 2025

With Arms Unbound

Photo of the author sitting on stairs, holding acoustic guitar in his lap.

Ten years ago, around this time, I put out my second novel, With Arms Unbound. I remember exactly where I was when I etched that final period onto the paper: Blackwater Correctional Facility. LeBron James was still playing for the Heat, Ryan Tannehill was the Dolphins QB, and Barack Obama was midway through his second term. The dominant question in my mind back then was Am I really a writer? I still feel that way now with eight books in the rearview. I have always considered myself an estranged musician who happened to write novels because I couldnโ€™t get my hands on a guitar in prison. Check out what I wrote in the afterward of With Arms Unboundโ€•

I was a songwriter before I was a book writer. Music has always consumed me. I held onto the bars of my crib and bounced to The Lawrence Welk Show. (Unfortunately, holding onto bars would become a theme in my life.) I danced with my father to Chuck Berry and Buddy Holly, wanted to be a rapper when I first heard Rakim, and fell in love with the guitar as a teenager in prison, back when prisons supported that type of thing.

Although the callouses on my fingertips faded years ago, I still consider myself an estranged musician and long for the curved and contoured feel of my old acoustic like the body of a distant lover.

But since I arrived in federal prison nine months ago, Iโ€™ve been playing the hell out of any guitar I can get my hands on. Including the one in the above pic. Not exactly a Martin, right? The neck is warped, the strings are nylon, and the tuning pegs are rusty. But Iโ€™m so grateful to be able to play again. And after almost 20 years of silence, my fingers surprisingly remember! Muscle memory. Iโ€™m actually better than I ever was. So now Iโ€™m writing songs about the characters in these books and the people who have wandered in and out of my life over the course of this beautiful journey. Canโ€™t wait to sit at a booth at a downtown Pensacola book fair, boots kicked up on a table stacked with novels, playing songs about Izzy and Pharaoh and Rayla and CJ and Hustle and Miranda McGuire and this supposed punishment that turned out to be the greatest reward I could ever hope for.

Rock on my friends. Wishing you momentum.

โ€”September 14, 2024

Photo of author standing with an acoustic guitar.

The Covid Equation

Memory has always been my strong suit. You want the theme song to Diffโ€™rent Strokes, Facts of Life, or any other 80s TV show? No problem. The lyrics to โ€œThe End of The World as We Know itโ€ by REM? Which verse? The wide receiver depth chart for any of the NFLโ€™s 32 teams? Coming right up. Yet lately Iโ€™ve been having these little moments. Times when my prefrontal cortex is unable to scroll or double-click. Times when I canโ€™t remember shit. Letโ€™s call them glitches.

I keep thinking… maybe itโ€™s some sort of mid-forties brain recalibration thing, or because Iโ€™ve had a massive head injury, or the residual effect of squandered gray matter from years of drug use. Maybe. But the more I read up on the pandemic, the more I wonder if itโ€™s something else entirely.

I know Iโ€™ve had Covid. Half my dorm was waylaid back in October, the third time we were quarantined. A friend of mine ended up going to an outside hospital for a month and when he returned to the prison, he died within a week. The official line was that he recovered from the virus but couldnโ€™t survive the ensuing pneumonia. Thatโ€™s why it wasnโ€™t ruled a Covid death on the institutional scorecard. If that sounds sketchy to you, join the club.

No Covid tests were conducted on the other 70 men in my dorm. Just daily temp checks. Not that we wanted them. Quarantines are a massive inconvenience in prison. More punishment than precaution. No rec, no canteen, no movement (which translates to no hustling). Just a biohazard sticker on the door for fourteen days. They do nothing, solve nothing, protect no one. As long as guards are coming in everyday for shiftwork, the virus will circulate. No getting around it. Not in open bay dorms where thereโ€™s 12 inches between your feet and your neighborโ€™s head. Itโ€™s gotten to the point that no one reports symptoms. When you have a life sentence, global pandemics mean about as much as presidential elections.

But the way we knew something was up โ€” aside from feeling like hell โ€” was that no one could taste or smell anything. You know those cologne advertisements in menโ€™s magazines like Esquire and GQ? My friends and I would wave strips under each otherโ€™s noses. Nothing. Itโ€™s a strange experience to breathe deeply through the nostrils and not register a scintilla of scent. Especially in a prison dorm where pungent smells are abundant.

But even stranger are the memory lapses. At least in my experience. Neuroscientists are just now starting to understand the effects of Covid on the brain. I recently read an article by Dr. Sanjay Gupta about some of the devastating long-term and short-term neurological complications of the virus including delirium, depression, temporary brain dysfunction, headaches, brain inflammation, and meningitis. He cites a report in the journal Nature that details the symptoms of a woman in her fifties who saw lions and monkeys in her house and accused her husband of being an imposter.

I guess my forgetting the lyrics to โ€œCome On Eileenโ€ pales in comparison to zoological hallucinations, but itโ€™s still cause for alarm in my little corner of the multiverse. What if this is the beginning of a tumble into the abyss? I researched enough about dementia while writing Sticks & Stones to understand what a terrifying prospect it is.

Covid or no Covid, my defense against cognitive decline remains unchanged: exercise daily, meditate for ten minutes, learn new things, do plenty of crosswords, and write with my hair on fire. (Yeah, Iโ€™m bald. 5 books. Where do you think it went?)

As Leonard Pitts once so eloquently put it, โ€œWithout memories what are we? We are the equation after the blackboard has been wiped clean.โ€

Year of the Firefly: Chapter 1

Miranda had never seen a Gucci eye patch before. Funny how that was the focal point of her attention. The patch. Not the ginormous pile of cash on the table. Not the musclebound tattooed man who was counting it. Not the naked woman snuggling with the pitbull on the leather sofa. Not the oblivious little boy tapping furiously on the Xbox controller. All these storylines were riveting, but it was the designer patch that the monocle of her consciousness was fixed upon. She wondered if it was a fashion accessory or a medical device or both. The aspiring author and English Lit major in her needed to know.

Still tingly and warm from the blunt on the ride across the bridge, she followed with hooded eyes as its wearer rummaged through kitchen cabinets in search of a scale. He caught her staring and paused. The sculptured mustache and goatee that framed his mouth pulled back into a diamond- and platinum-encrusted scowl. โ€œYo Nick, you sure this bitch ainโ€™t troll?โ€

Uncertain which was more offensive, being called a bitch or a troll, she felt her face redden with indignation as she sputtered to assemble a lethal riposte . . . something Katherine from Taming of the Shrew might serve up in her icy Shakespearean tone. Nice eyepatch . . . are you wearing matching Gucci panties?

Two things stopped her: the small arsenal of urban warfare weapons stacked on the coffee table and Nickโ€™s firm hand on the small of her back.

โ€œIโ€™m positive,โ€ he said, in that deep, confident voice that made her forget her outrage, forget she was standing in a trap house, forget the world, forget herself.

โ€œWell she looks like troll.โ€ Eyepatch found his scale and set it on the counter. โ€œLike one of them redheaded CSI bitches. I donโ€™t trust no redheads . . .โ€

Nick removed his hand from her back and ran his fingers through his dark unruly hair. His palm left an impression, hot against her skin. A thermonuclear handprint. โ€œCome on, Gucci,โ€ he said. โ€œYou know I donโ€™t fuck with twelve.โ€

Miranda stifled a giggle. His name was Gucci? Was Gucci, the company, like, secretly sponsoring drug dealers or something? She thought of her sociology professor, Dr. Bonilla, and his fiery disquisitions on consumer culture and materialism. He would choke on his own mustache if he ever crossed paths with this walking designer brand billboard.

โ€œShe ainโ€™t gotta be twelve,โ€ said Gucci. โ€œShe could be an informant. How do you know she ainโ€™t wearing a wire?โ€

Nick glanced down at her. His eyes were dark chocolate caged in black lashes. A secret smile played at the corners of his mouth. โ€œBecause I watched her get dressed.โ€

His words seemed to hang in the air. She blushed, suddenly as exposed as the naked woman snoring on the couch. Gucci appraised her from over his scale. Fitting, because she felt like she was being weighed. His one eye moved up and down her body. Apparently the MeToo movement had not yet reached the criminal underworld. She wished Nick would put his arm around her.

โ€œDonโ€™t bring nobody else over here,โ€ Gucci muttered as he pulled apart the Ziploc and began heaping Boi onto the didgies with a silver spoon.

Boi and didgies.

The arrival of Nick Archiletta on the timeline of her life had brought a strange new lexicon of colloquialisms and street slang. Words that did not appear in the pages of her beloved Random House College Dictionary or even the online Urban Dictionary. Sometimes it was as if he was speaking an entirely different language.

Miranda loved words. She grew up doing New York Times crossword puzzles with her dad and was a self-proclaimed etymologist by the time she reached middle school. Her plan was to write a novel after the fall semester and midterms, maybe a gritty romance she could self-pub and market herself. The bad boy patois of Nickโ€™s urban ecosystem would make for snappy, realistic dialogue. This was perhaps the sexiest thing about him. True, he was lean and handsome with just the right number of tattoos. True, the danger was thrilling, the passion was electric, the money was fast, and the drugs were convenient. But take all that away and his vernacular alone was worth the price of admission. Especially to a word-nerd like herself.

The dope was the color of Gulf of Mexico sand, a growing anthill atop the matte black digital scale. Gucci added a little, then more, then grunted, shook his head, and sliced off the tip of the mountain, transforming it into a mesa. Satisfied, he spun the scale.

Miranda read the display. 28.7.

โ€œCan I put some cut on it?โ€ said Nick.

โ€œYou better.โ€ Gucci shook a Newport from his pack and fired it up. His teeth dazzled beyond the flame. โ€œYou know how we rock, bruh. This is that good Frank white shit. Pure as your bitch.โ€

She winced. He pronounced pure like purr. Calling her rude names was one thing. But lazy mispronunciations she could not tolerate. They circumvented her filter, triggering a response that was almost reflexive.

โ€œI believe the word youโ€™re looking for is pure. P-U-R-E. All you do is take the possessive your and stick a P in front of it. Pyour . . . Pure.โ€ She enunciated with the exaggerated patience of a kindergarten teacher. โ€œYou try it.โ€

He stared at her for a solid ten seconds. He even pursed his lips. Then he looked at Nick. โ€œWhat is this crazy-ass bitch jaw-jackinโ€™ about?โ€

Nick shrugged. โ€œShe takes off like that sometimes. I think itโ€™s a college thing . . . here.โ€ He reached in his jeans pocket, grabbed a roll of bills and tossed them across the kitchen.

Gucci caught the money, removed the rubber band and began to count.

โ€œEverything good?โ€ said Nick, when he reached the last hundred.

โ€œBetter than good.โ€ The one-eyed dope dealer looked up and smiled for the first time that day. โ€œEverythingโ€™s Gucci.โ€

Anything is possible

Dateline: Washington, D.C., Inauguration Day, 2021

As President Joe Biden looks out over the empty windswept National Mall and into the living rooms of 325 million Americans, pumping a message of healing and unity, the odds of his success โ€” of Americaโ€™s success โ€” could not be longer.

Rahm Emanuel recently framed it like this: โ€œLincoln had the Civil War, Wilson had the pandemic, Roosevelt had the Depression, and LBJ had the civic unrest of the 1960s… Biden has all four.โ€

Sobering thought. And this is not even factoring in the bridge-mending that will have to be done with our allies, addressing our crumbling infrastructure, reigniting faith in our cratering institutions, negating the inroads that Putin and the Russians have made into our election system, improving health care, solving immigration, passing criminal justice reform, managing the opioid crisis…

And he must do it while navigating the smoke and noise of a sensationalist, hyperventilating media, as well as the conspiracy theorists, the Trump loyalists, the extreme wing of his own Democratic party, and the binary reality of modern American politics where one side needs the other to fail.

This will no doubt be an extremely tough task.

But he wanted it. He earned it. Fought through the field in a packed primary, survived one particularly brutal debate, an election night that dragged on for days, an iconoclastic incumbent who refused to accept defeat, and an attempted insurrection, all to arrive at this moment in history. Now here he is. Here we are. The question is: where are we going?

One of the many frustrating themes of the outgoing Trump regime was its disdain for the truth. They coined the phrase โ€œalternate factsโ€ from the jump and it would become a cornerstone of the administration for the duration. In order for us to find our way out of the wilderness, the truth needs to be magnetic north on our national compass.

Here are some hard truths that President Biden and congressional members of both parties must come to terms with over these next pivotal years:

โ€” Racism is a massive problem in this country but no ethnicity has a monopoly on it. Double standards have become increasingly glaring in recent years and hate groups are using these as tools to recruit and indoctrinate Americaโ€™s alienated youth. If we continue down this road of highlighting the skin color of bad cops and unarmed victims only when it suits a certain narrative, weโ€™ll never disentangle ourselves from the baggage of our ancestors. We are Americans first. Black, white, brown, red, yellow, blue, whatever. Our histories and destinies are all entwined. And whenever any American kills another American, itโ€™s a sad day for us as a people.

โ€” Compromise needs to make a comeback. Special interest groups like Planned Parenthood and the NRA view any concession (the banning of third trimester abortions, the banning of automatic assault rifles) as a slippery slope toward their own extinction. They use their money and influence to strong-arm senators into never giving an inch. This is no way to govern. The ability to work with those across the aisle is an asset, not a liability. We should demand it from our representatives.

โ€” American isolationism is bad for us and bad for the world. Bidenโ€™s former boss said it best: โ€œIf moral claims are insufficient for us to act as a continent implodes, there are certainly instrumental reasons why the U.S. and its allies should care about failed states that donโ€™t control their territories, canโ€™t combat epidemics, and are numbed by civil war and atrocity. It was in such a state of lawlessness that the Taliban took hold of Afghanistan. It was in genocidal Sudan that bin Laden set up camp for several years. Itโ€™s in the misery of some unnamed slum that the next killer virus will emerge…โ€ We are all connected. Thereโ€™s a reason why we helped establish organizations like the U.N., the IAEA, and the WHO. Our failure to lead over the last four years has created a vacuum where China has made significant gains. Do we really want an authoritarian government setting the international tone?

Our nation is often referred to as a โ€œdemocratic experiment.โ€ And lately weโ€™ve come dangerously close to having that experiment blow up in our faces. Free and fair elections, the peaceful transition of power, the right to assemble, free speech, due process… the very document that guarantees our liberty has come under attack. But weโ€™re still here. Still kicking. Still the gold standard for freedom. โ€œWe hold these truths to be self-evident…โ€ Thereโ€™s a reason people brave shark-infested waters and coyotes and narcos and ICE cages and miles of desert to get here. Hope. Anything is possible in America.

So now the nation, and much of the world, looks to Mr. Biden to orchestrate our comeback. It starts today. And his success is our success. Can we pull it off? Again, the odds are long. But I wouldnโ€™t bet against us.

Final act of cowardice

Leaders lead from the front. History is loaded with examples of this. From Alexander the Great to Julius Caesar to Genghis Khan to Napoleon Bonaparte to George Washington. They gallop alongside their troops, swords singing, cutting down the enemy, trampling them as they ride headlong into battle and inevitable victory.

As footage of the events of January 6, 2021, continues to emerge โ€” the beatings, the hurled fire extinguishers, the zip ties and pipe bombs, the chants of โ€œHang Mike Penceโ€ โ€” I keep going back to the presidentโ€™s speech. How he urged the throng of proud boys, militia men, and QAnon (โ€œthe internet come to life,โ€ as one reporter described it), as well as a sea of devout supporters to march on the Capitol. He assured them he would be right there with them.

Of course, he wasnโ€™t. He was kicked back in the safety of the Oval Office watching it all go down.

This final act of cowardice underscores who Donald Trump really is. A spoiled rich kid with a giant megaphone. A sore loser deficient in every quality associated with great leaders. Honor, courage, discipline, restraint, spine… Our 45th president is more Nero than Julius Caesar. (Although his embattled Veep appears capable of a passable Brutus impression.)

One of the more sickening images from this dark day in American history was Donald Jrโ€™s fiancรฉe, Kimberly Guilfoyle, dancing. Dancing as glass was shattered, shots were fired and blood was spilled. I guess itโ€™s easy to dance in the safety of the West Wing, when youโ€™re not getting crushed in a doorway or beaten with a baton or praying under your desk. But itโ€™s always like this with the 1%. They sip champagne while the poor and middle class die in the service of their interests.

So now the talk turns to whether the president can pardon himself. All the pundits are weighing in. But is there any talk of him pardoning the citizens who believed his lies about the election being stolen and stormed the Capitol at his insistence? I wouldnโ€™t bet on it.

It’s a girl!

If youโ€™ve read any of the Ivey books, you already know that I consider them my children. Thereโ€™s nothing original about this. Writers have been saying the same thing since the first quill hit the first parchment. I guess it just feels doubly true for me because Iโ€™m growing old in prison and will probably never have a biological child. Yeah, Steve Martin and Larry King had kids in their 70s, along with a bunch of other famous dudes, but that feels unlikely for me. My books will be my legacy. Iโ€™m at peace with this.

Consider the Dragonfly is my oldest son. I had no idea what I was doing with him. I had to learn on the fly. He got swallowed up by the system early in life, but he turned out all right.

With Arms Unbound was born two years later. My second son. He grew up in some of the darkest years of the Florida Prison System.

On the Shoulders of Giants was born in 2016. Another boy. The overachiever of the family. He won an award a couple of months ago. Iโ€™m extremely proud of him.

Sticks & Stones came next. My fourth son. The most mild-mannered of all my boys. And the most kind-hearted.

Now, Iโ€™m proud to announce the arrival of my fifth child. A girl! โ€˜bout time, right?

Year of the Firefly. Available from Astral Pipeline Books on Amazon and Barnes and Noble.

First Place

Wanna hear something cool? This is my third novel,ย On the Shoulders of Giants, written longhand on my bunk over the course of two years. When I finished it in 2016, I knew it was special. I couldnโ€™t wait to enter it in the annual Writerโ€™s Digest Self-Published Book Awards competition.ย With Arms Unboundย had come close in 2015, winning an Honorable Mention that year. This one was going to win! I could feel it.

So you can imagine my bitter disappointment when it lost to a cookbook. I wasnโ€™t just disappointedโ€ฆ I was defiant. Aย cookbook? The following year I enteredย Sticks & Stones,ย but I no longer harbored any delusions of winning. Those literary snobs wouldnโ€™t know good writing if it yanked them by their turtleneck sweaters. The peopleย Giantsย was written for โ€” the forgotten, the lost, the state-raised โ€” they recognized its beauty. Thatโ€™s all that mattered.

But in April of this year, a friend talked me into reentering.ย Giantsย was still within the five-year window of eligibility and I was months away from finishing my latest novel,ย Year of the Firefly, so I had nothing new to submit. Why not, right?

Good thing I listen to my friends.ย Giantsย won! First Place out of nearly 2,000 entries! Finally, a little critical acclaim and some much-needed cash. Life is good. And, according to the gold standard magazine on the craft of writing,ย On the Shoulders of Giantsย is good, too. (I recant my previous turtleneck accusation, WD staff.)

If you havenโ€™t read it, you can download it for free on Amazon over the next five days (through Saturday, Nov. 21), or access it through your Kindle Unlimited membership. Just hook me up with a review. Iโ€™m excited to hear your thoughts. If itโ€™s on your bookshelf right now, then you already know whatโ€™s up. Dum Spiro Spero.

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