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Continental Rift

Image of an American flag puzzle with the pieces not quite lining up perfectly.

Iโ€™ve been on political hiatus since the election. You might not have noticed out there in the real world of pricey eggs, Tesla terrorism, plummeting markets, transgender athletes, and airplanes loaded with shackled Venezuelan nationals zipping across the sky, but itโ€™s true. In fact, the last thing I said that was even remotely political was a short post on the day after the election that went like this:

โ€œSo after pulling off the greatest political upset of all time in 2016, Trump has just engineered the greatest political comeback of all time in 2024. And it looks like Republicans will occupy both chambers of Congress to get his agenda rolling, along with a Supreme Court already stocked with his appointees. Anyone who has ever read my essays and books knows I am not a fan. But he won. Both the electoral and the popular vote. America has spoken. Now itโ€™s time to move forward. Trump is no traditional Republican. Heโ€™s the ultimate wild card. These next four years are going to be interesting. While Iโ€™m worried about how his second term will affect the judicial system in the long run, I am happy for the J-Sixer who lives in my unit who is now in line for an immediate pardon. I am happy for American businesses. Happy for the economy. Happy for those war-torn nations on the other side of the world that he has promised to bring peace. But most of all Iโ€™m happy for those of you who have wished and wanted and waited for this since he last left office. My friends. My family. You know who you are. I love yโ€™all regardless of who is in the White House. Stay safe out there. There is no them. Only us.โ€

Many things have changed in the whirlwind first two months of this second Trump administration. And it would be easy for me to write a scathing disquisition on the policies that I find revolting. Iโ€™m sure I will at some point. But for now Iโ€™m resisting my reactionary tendencies, listening to a lot of Brian Kilmeade and Bill Oโ€™Reilly on the local Fox News affiliate as a counterbalance to my normal NPR diet, and trying to get a full grip on that slippery thing we call โ€œThe Truth.โ€

One thing I do find fascinating about this pivotal moment in history is how my brothers and sisters on the Left are currently wandering the political wilderness, licking their wounds, fighting amongst themselves, seeking a sign, awaiting a hero to emerge and point the way forward. Josh Shapiro? Wes Moore? John Fetterman? Gretchen Whitmer? Pete Buttigieg?

Whoever it is needs to speak directly to blue collar American males. No matter how you feel about Donald Trump, I think we can all agree that heโ€™s done a masterful job at making it unmanlyโ€”if not downright un-Americanโ€”to vote Democrat. Itโ€™s no coincidence that he was receiving standing ovations at UFC fights, Nick Bosa of the 49ers was doing the Trump dance after sacking opposing QBs, Hulk Hogan, Kid Rock, Dana White . . . All the alphas were backing Donald.

Iโ€™ve been banging this drum for years. Long before the current wave of eggheads and pollsters and pundits started pontificating about this phenomenon in the aftermath of the 2024 election. The following are links to just a few of the essays Iโ€™ve written on the subject, dating back to 2018 . . .

Manhood
A Final Appeal
Help Is on the Way

There are other labels and perceptions that Democrats will have to overcome during the next four years as well. Regardless of who they anoint as their fearless leader, there are some tough questions they are going to have to ask themselves. About class and race and gender and labor and the economy and the environment and education and the direction this nation is headed. They appear scattered at the moment. Lost. Adrift. But then so did Republicans on January 7th, 2021.

These next few essays will be examining the Left and the Right and where weโ€™re going from here. Guaranteed to offend. My apologies in advance ๐Ÿ™‚ Wishing you momentum.

โ€”March 23, 2025

[This essay is the first in the Continental Rift series. See Continental Rift II…]

Steven Pressfield

A hero of mine just lost his home in a California wildfire. Heโ€™s more than just my hero; heโ€™s a national treasure. A Made-in-America success story. Steven Pressfield. Mom saw him on Oprahโ€™s Super Soul Sunday a decade ago and ordered me his book on maximizing creative potential. Youโ€™ve probably heard me talk about it before. Itโ€™s called The War of Art. If there is any creative endeavor that is tugging at youโ€”a screenplay, a novel, a startup, a nonprofit for at-risk teensโ€”I implore you to get this massive little paperback. Iโ€™ve probably ordered more than ten of them since 2014. Every time I meet a fellow writer or seeker at a new prison, I end up leaving them my copy when I transfer.

War of Art is not his only book. His most popular work was made into a movie featuring Will Smithโ€”The Legend of Bagger Vance. Heโ€™s written other screenplays and books as well. Fiction and nonfiction. After driving semis and crisscrossing the U.S. during the late โ€™60s and โ€™70s, hellbent on destroying himself, doing everything except the one thing he was born to do, he finally began banging out his first story on an old typewriter while living in a van. When he finished that one, he immediately began the next. Forty years later, heโ€™s still writing. Still living his message: Do the work.

I had been telling Shonda I wanted to write him and send him some of my novels since we first started Astral Pipeline Books in 2020. Another letter to the Universe. Iโ€™ve written hundreds over the years. Presidents, professors, producers, politicians . . . But Steven Pressfield was not just some industry guy I wanted to make an elevator pitch to. He was my guru. His book gave me the blueprint on how to conquer myself daily and approach the craft like a professional. Without his guidance, there would be no On the Shoulders of Giants. No Miranda Rights series. No Stick & Stones.

I was in between state and federal prison when I finally began the letter. I wrote it in pencil on the floor of a jail cell in Milton, Florida, around Christmas of 2023. The Milton Hilton. I might have procrastinated a little longer if not for a gentle nudge from Shonda who told me he was nearing 80 years old. I had no idea.

I donโ€™t expect responses to my letters anymore. Half the time, the boxes of books we send get intercepted by gatekeepers and assistants and are probably disposed of with the rest of the junk mail. I donโ€™t take it personal. My job is to write the best books I can and send them all over the world. Exhaust every avenue. This is the one thing I can controlโ€”the work. And the work is its own reward. (I learned this from Steven Pressfield.)

So you can imagine my reaction when he wrote me back! He didnโ€™t just write me back. He sent a box of his own books to Momโ€™s house. Leather-bound collectors type stuff, hardcovers, titles I have not yet read. Very cool. He said he enjoyed reading Letters to the Universe. And he offered to buy me dinner when I get out. The return address on his letter was Malibu, California.

My mind keeps going back to the opening pages of War of Art where he describes his writing processโ€”putting on his boots with special shoelaces from his niece, his lucky hoodie, a charm he got from a gypsy in France, his military dog tags with the name โ€œLargoโ€ on them, aiming a tiny cannon his friend brought him back from Morro Castle in Cuba at his chair to fire off inspiration, going through a few other little ritualistic things . . . then beginning the dayโ€™s hunt. Will it be good? Doesnโ€™t matter. Doing the work is his chief concern. After a few hours in the story-world, he would hit a point of diminishing returns, shut down shop for the day, copy his progress on a disc and lock it in his van for safety โ€œin case of a fire.โ€ I remember reading this for the first time and thinking, โ€œCome on, man. Stashing a copy in the van in case of a fire. Thatโ€™s a little overkill.โ€

Yeah, not so much.

I hope he had time to prepare. I hope he was able to gather all those little items that have been part of his process over the years. The cannon, the laces, the Largo dog tag . . . I hope his current work-in-progress was saved to a thumb drive in his vehicle, just like in War of Art. I doubt he grabbed my books. Iโ€™m pretty sure they were low on the list of things to shove in the bag during the chaos of evacuation. I keep thinking about them too though, my books. All the love and struggle and hope tied up in those words, now embers 2,000 miles across the country, swirling in the Santa Ana winds.

Mostly, Iโ€™m just glad he made it out. โ€œThe most important things in life arenโ€™t things.โ€ I was on the fence about writing this. Especially since he hasnโ€™t said anything about it on Substack to date. Heโ€™s not the type of dude to post about things like this. A book, absolutely. But a drive-by tweet or TikTok video lamenting his own misfortune? I wouldnโ€™t hold my breath. Heโ€™s from a bygone era, one where men donโ€™t wear lifeโ€™s injustices on their sleeves like badges of honor. And Iโ€™m definitely not trying to capitalize on his misfortune. Again, I debated even writing this. I told Shonda as much on the phone the other night. But as soon as we hung up and I was walking back to my cell, I spotted a book by the stairwell. (I stop for abandoned books in prison the way some people stop for stray animals out there in society. I canโ€™t resist.) The cover art was a fiery scene. Burning ships in harbor. When I reached for it, I spotted the author and title. Tides of War by Steven Pressfield.

A green light from the Universe.

If you have not yet read War of Art, you should interpret this message as your own little green light from the Universe and order yourself a copy. Itโ€™s a small book that coincides perfectly with the New Yearโ€™s resolutions you just set. And it supports a guy who just lost his home.

Your unlived life awaits.

โ€”January 16, 2025

The Artificial Machine

Image of the author's authenticity stamp that reads "AI-Free: Literary works of natural origin."

I was in the Federal Detention Center in Oklahoma City for a couple weeks last month. Flying Con Air from a Central Florida prison to another gated community in Indiana. Hopefully my last time ever traveling with the feds. Miserable experience. Shackles, handcuffs, waist chain, black box. Impossible to eat, or scratch my ear, or blow my nose . . . But while in the holding cell, I overheard two young men discussing books.

โ€œMan, that thing said โ€˜Sensational New York Times Bestsellerโ€™ and it was garbage!โ€ one said. โ€œI need to write a book.โ€

โ€œItโ€™s easy now,โ€ his homeboy answered. โ€œBetween AI and talk-to-text, the books write themselves. All you gotta do is feed it an idea, pay somebody to design a badass cover, and then pump it on social media. Once it goes viral, you already knowโ€”instant millions.โ€

No shit. Instant millions? Who knew? ๐Ÿ™‚

I really wanted to interject that Iโ€™ve been writing novels since 2011. Novels with badass covers and intricate plots, stories full of conflict and tension that Iโ€™ve poured my heart and soul into, plotlines that AI could never invent. Books that Iโ€™ve been pumping on social media since Obama was president. And so far . . . No millions. Instant or otherwise.

I used to fear AI. I even wrote about it in Letters to the Universe. Check out this excerpt:

Which leads me to this memoir, if thatโ€™s what this is, this collection of essays written over the last nine years at five different prisons. Hybrid memoir? It almost feels pretentious to be writing this at all. Like an unknown band putting out a greatest hits album. I guess in some ways Iโ€™m attempting to write my future into existence, that oak and acorn thing again. But with the tectonic plates of time shifting, and the great and terrible Artificial Intelligence cresting in the cosmos and on the verge of crashing into our planet like some digital tsunami, itโ€™s beginning to feel like now or never. Pretty soon AI will be producing works that rival the masterpieces of men like David Foster Wallace and David Mitchell in a fraction of the time. The market will be flooded with synthetic brilliance and creativity. This is bad for established authors, but itโ€™s horrible for unknown writers like myself.

Or is it?

Maybe there will be a backlash, a rage against the artificial machine. Maybe a pro-human movement will kick up like the Buy American response to all the outsourcing and offshoring of the early 2000s and usher in a new era. Maybe in this brave new world of computer-generated storytelling, the authorโ€™s backstory will inch to the forefront, and the story behind the stories will lend an authenticity to the overall reading experience. To cop David Mitchell yet again in this little rambling soliloquy, โ€œSuch elegant certainties comfort me at this quiet hour.โ€

But today, 1000 miles from home, 20 years and 8 books into this prison sentence, my mind keeps going back to those two young men in that Oklahoma holding cell. They were really just trying to figure out a route to get rich quick. A shortcut. Thatโ€™s the American way, right? Canโ€™t fault them for that. But is it really the American way? Nah. Maybe the American dream. Maybe . . . But upon further review, I think the American way is about hard work and sacrifice. Showing up every day, grinding through adversity, refusing to give up. If I would have known back when I first started writing Consider the Dragonfly that I would go on to produce 8 books while in prison and none of them would be bestsellers, I mightโ€™ve dropped my pen then and there.

What a colossal mistake that would have been.

Had I quit, or chased some shortcut by outsourcing all the work to a computer program in the pursuit of instant millions, I would have missed my blessing. I would have missed the transformational journey of all those hours logged, all those years of sweat and solitude, all that time spent writhing on the cell floor in search of the perfect word, hunting it like a piece of crack. Soul-sculpting, character-building years. And I would have missed the unparalleled exhilaration of writing โ€œThe Endโ€ on the final page of a long project, of slaying that dragon, of standing over it and growling โ€œRest in peace motherfuckerโ€ as Steven Pressfield says in his magisterial War of Art . . . then immediately starting the next one. AI could never replicate that.

The work is its own reward.

โ€”November 18, 2024

Divine Intervention Part Two

An excerpt from Letters to the Universe. This essay was written two years ago. It was humbling to start all over when I thought I had my shit together. Now here we are two years later, two books later, two years clean. Stronger than ever. Time is a river . . . Momentum.

Divine Intervention Part Two

Photo of the author's father holding him the day he was born.

โ€œThe plains of desolation are white with the bones of countless millions who, at the very dawn of victory, sat down to wait . . . and while waiting, died.โ€

Who penned this powerful adage on the importance of perseverance, on striking while the proverbial iron is hot, on resisting the temptation to rest on oneโ€™s laurels?

I forget the dudeโ€™s name. Shonda googled it for me recently but between the head injuries, the dope smoke, and standard mid-life brain recalibration, itโ€™s getting more and more difficult to remember random trivia. The author of the quote is immaterial anyway, at least as he relates to the subject matter of this essay. In my mind it is eminent domain of my father, dead thirty years this coming September. Heโ€™s the only person Iโ€™ve ever heard recite it. I consider it one of Dadโ€™s greatest hits, right up there with โ€œThe Ballad of Samuel Hall,โ€ Bobby Goldsboroโ€™s โ€œHoneyโ€ (โ€œSee the tree, how big itโ€™s grown?โ€), random lines from Birdman of Alcatraz, and timeworn maxims like โ€œWhen you lose your temper, you loseโ€ and โ€œIf you fail to plan, then plan to fail.โ€

I can see him now, brow furrowed in contemplation, eyes finding mine in the rearview of our old brown Buick as endless rows of pine trees tick away outside the window, morphing into the familiar rivers and pastures and lonely county road overpasses on the stretch of I-10 between Mobile and Tallahassee.

โ€œThe plains of desolation are white with the bones of countless millions . . .โ€

What did it all mean? My seven-year-old brain could not grasp the concept. Perhaps neither of us did. But it sounded cool. And Dadโ€™s tone and delivery lent a certain profundity to the phrase, earmarking it as important.

Turns out it was.

I sat down to write my first novel at age 37, a little over 18 years after the prison chaplain at Lake Butler summoned me to his office to notify me that my father had passed. Eighteen years . . . It went by in a blink. Or maybe blur is a more accurate word. Back then, my fellow prisoners were always pontificating about the heightened sense of awareness that is a byproduct of doing time, and how it makes navigating life outside the razor wire a cinch. Theoretically, multiple years of staying on oneโ€™s toes and sleeping with one eye open was supposed to give a man a decided advantage over those somnambulant suckers out there slogging away on autopilot. Not so, in my experience. During my brief vacation of freedom, just after the turn of the century, that mean olโ€™ world chewed me up and spit me out quicker than you can say 10-20-Life. I got hooked on crack cocaine, crashed three different cars, endured brain surgery, received 70 staples in my head, was mauled by police canines, indicted by the federal government, and tossed back in the Escambia County Jail before I could even get my bearings.

My return to the joint was a homecoming of sorts. After spending most of my youth in institutions, the prison landscape was more familiar to me than the free world, the characters more predictable. I picked up right where I left offโ€”getting high, playing cards, working out, gambling on football. Clichรฉ prison shit. Years passed. But with them came a gnawing sense of dissatisfaction with the life I was living, with the man I had become. Similar to Izzy in On the Shoulders of Giants, I had grown sick of the yard with its dope and its gangs and its parlay tickets. I longed for something different, an identity other than failure-loser-career criminal. So, in 2011, I turned inward and lost myself in imagination and memory. What came out was Consider the Dragonfly.

Although the novel is a work of fiction, the family it is centered around closely resembles my own. This is especially true for the character of Chris McCallister who is Mac Collins note for note. From the messiah complex to the courtroom speech to the congestive heart failure at age 51. If you ever want to meet my father, his ghost still wanders the pages of that first bookโ€”smoking pot in Tampax wrappers and two-liter Pepsi bongs, having conversations with Peter Jennings through the television screen, blessing shoppers in a South Miami Publix. A grown child battling demons, a lost soul stumbling toward the light.

Despite this honest and, at times, unflattering characterization, I think Dad wouldโ€™ve loved the book. I think he wouldโ€™ve loved all of them. From Dragonfly to Giants to Entanglement and all points in between. He wouldโ€™ve dug these essays too. Not necessarily for any riveting plot lines or liquid prose but for the achievements themselves. For the work. I know he wouldโ€™ve been proud of the letter from President Obama, the Writerโ€™s Digest book award, and the article in the Pensacola News Journal.

My father was a lifelong fan of discipline and mastery. This may sound odd considering that he spent much of his adult life north of 300 pounds, smoked two packs of Camel non-filters a day, had a brutally low self-esteem, gambled recklessly, bought dope with grocery money, and was in every way about as undisciplined as a man could be. But maybe that was the point. Since self-discipline felt so unattainable to him, he coveted it the way others covet beauty or wealth or 4.3 speed.

His nightstand was usually littered with books by men like Dale Carnegie, Norman Vincent Peale, and Dr. Wayne Dyer. Masterworks on conquering the self, setting and exceeding personal goals, winning friends and influencing people . . . Iโ€™m certain the quote was lifted from the pages of one of these best-sellers. I can imagine him committing it to memory, repeating it over and over with all the desperation and fervor of a religious fanatic.

โ€œThe plains of desolation are white with the bones . . .โ€

This essay was supposed to have been written in October. At the checkered flag of my final year in state prison. It was supposed to be about finishing strong and doubling down on all the things that changed my life over the course of this decades-long journey. Unfortunately, I took my eyes off the road and ended up in a ditch.

If you read my last essay, TICKETMAN, then you know that I recently decided to let the old meโ€”a lost soul who went by the name of CCโ€”out of solitary confinement. Just to run Bond Money, my old football ticket. And perhaps participate in a little well-earned debauchery with some of my homeboys, many of whom Iโ€™ll never see again once I walk out the gate. No harm in that, right? I can be moderate. Itโ€™s not like I havenโ€™t enjoyed a joint here and there over the last couple years, or drank a little buck. These things are part of the prison experience. How could I continue to write convincingly about this world that Iโ€™ll be leaving soon if I didnโ€™t fully immerse myself in the culture from time to time? Consider it gonzo journalism.

Yeah, bad move, Hunter S. Thompson.

This delusional pursuit of moderation quickly devolved into nights burning stick after stick of a new and unfamiliar drug in a cell full of strangers, smoke-stained fingers singed and cracked from holding Brillo wire to batteries in order to light yet another, groping blindly on the floor in the dark for any dope I might have dropped during the day. Me, the great Malcolm Ivey, award-winning author of six novels, acclaimed essayist, beacon of mastery, spouter of platitudes, ejaculator of self-help advice . . . crawling around on the floor like a damned crackhead. Again. That was the scariest partโ€”my response to this strange 2022 substance mirrored my response to crack cocaine in 2004, the drug that cost me 20 years in prison and almost cost me my life.

In the span of a few short weeks, I found myself staring into the abyss. Every inch of ground I had gained over the last 12 years was suddenly crumbling beneath my feet. Dark clouds were gathering. Vultures circled overhead. Yet night after night as I lay in my bunk coming downโ€”heart pounding, sweat pouring, the stench of failure all over meโ€”a staticky and persistent voice kept repeating in my head like an AM radio broadcast circa 1981.

โ€œThe plains of desolation are white with the bones of countless millions who, at the very dawn of victory, sat down to wait . . . and while waiting, died.โ€

Dad. Those eyes in the rearview, clear as the morning sky. A seven-year-old boy in the back seat of a Buick. Interesting how the above quote could have so little impact 40 years ago but could prove to be so relevant in 2022. Those words saved my life.

Possibly. Or perhaps this essay is a romantic oversimplification of my own near-death and bounce-back. After all, there were a myriad of reasons to get up off the mat: a solitary girl, some little people who need strength and stability in their lives, a mom pushing 80 whoโ€™s spent the last 30 years in prison visitation parks, my time-barred brothers and sisters who are counting on me in the long fight for a parole mechanism in the state of Florida, books to write, a world to see . . .

Still, thereโ€™s something about that quote; how it got lodged in my head like a splinter and refused to come out, how it played over and over like one of Dadโ€™s old Everly Brothers 45s on the family RCA. Out of nowhere and at just the right time. The starry-eyed writer in me prefers the mystical explanation; that my fatherโ€”or the combination of my father and a force more loving, more powerful, and more intelligent than my father could ever hope to beโ€”stashed a life raft on Interstate 10 all those years ago. And that proved to be the difference. As Jason Isbell sings in โ€œNew South Walesโ€: โ€œGod bless the busted boat that brings us back.โ€

Either way, the whole experience was enough to make me take my ass to church, a place I havenโ€™t been in a quarter-century. If for nothing else than just to change up the energy and escape the hopelessness of my unit for an hour. Iโ€™ve been attending for a month now. But thatโ€™s another essay.

โ€”December 2022

And Then There Were Three

Image of the 3 book covers in the Miranda Rights Series with Lowell Correctional prison in the background.

Just finished the final book in aย trilogyย that examines the female journey through the criminal justice system. If you reside on the far left, you may be wondering what right a 50-year-old male has to tell such a story. You may think that only incarcerated females should write about incarcerated females. If your political home is on the far right, you may be wondering what pronoun I prefer. What my preferred gender is. We live in strange times. The truth is that Iโ€™m a writer. And it is the writerโ€™s mission to imagine himself into the lives of others. To feel what they feel, to see what they see, to love and hate and fear as they do. I admit that Iโ€™m glad this series is over. Iโ€™ve been living in the head of this fictional girl for five years now. Sweating her legal deadlines, feeling her longing, dealing with her shit. Nice to be back to just having my own 50-year-old dude problems . . . But there is a point to this rambling little soliloquy, and itโ€™s not just โ€œLook at me, I wrote a book!โ€ If anyone out there has an incarcerated friend in any state, Iโ€™d like to send them theย series, free. Just shoot me their info.

Wishing you Momentum. โ€”IV

Manhood

Excerpt from Letters to the Universe. Wrote this in the run-up to the 2020 election. Itโ€™s probably even more relevant today . .

Manhood

When did the GOP become the party of the alpha male? Somewhere over the last few years, the Right found its rugged โ€œGod, guns and countryโ€ swagger while the Left was reduced to a bunch of snowflake socialists more concerned with transgender bathroom preferences than the issues facing the average American. Fair or not, this is the perception. And in this era of fake news and alternative facts, perception trumps reality. Especially in this era.

But I refuse to be sucked in. Iโ€™ve done enough herd-following for one lifetime. Wasted too many years ignoring that small voice inside telling me whatโ€™s right (or muffling it with chemicals). These last 14 years in the joint have been a massive rebuilding project for me. Lots of soul-searching. My father did the best he could for a man who struggled with multiple demons, but he died relatively young. The absence of a strong male figure in my life left me wondering what manhood actually looked like. The gang-banger? The knockout artist? The bodybuilder? The lifer playing with his kids in visitation? The Christian on his knees? The Muslim making his salat? The quiet guard pulling shift work? The abusive one going above and beyond? The warden? The governor? President Obama? President Trump?

This is what I have come to believe: A man treats others with the exact amount of respect he demands for himself. He is confident but not arrogant, strong but not oppressive, kind but not soft. His will is iron, just like his word, and he finishes whatever he starts. He doesnโ€™t take things personally . . . unless they are. Heโ€™s not thin-skinned or combative. He knows what heโ€™s capable of and lets his actions speak. He believes in second chances. He understands how dangerous the extremes are and makes his home in the realm of moderation. He stands up for women and sees his own children in all children. He knows how fortunate he is to have been born on American soil, in American skin, and realizes that he could have just as easily been born in a Guatemalan body. He appreciates the risks that fathers and mothers from impoverished nations face in order to give their families the opportunity of a better life . . . because he knows he would do the same thing if it came down to it.

Again, this is just my version. You probably have your own. One thing is for sure: neither party has a monopoly on manhood. I have brothers, cousins and friends on both sides of the aisle who embody much of the above. But I donโ€™t see a lot of it in D.C. these days.

โ€”November 2018

Acknowledgements from “The Law of Momentum”

Excited to announce that The Law of Momentum is now available on Amazon, Barnes and Noble, and wherever fine books are sold. The fact that its launch date coincides with Election Day is no accident. If youโ€™ve read the first two books in the series, you can probably guess why . . . Itโ€™s become a tradition for me to post the Acknowledgements of each new release, since many of you guys whose names are mentioned have never actually read one of my books and might not otherwise know. (Wtf!) Just wanted you to know that I love and appreciate your friendship and support over the last two decades. And if you donโ€™t see your name here, check the other 7 books. Read the other 7 books. I left breadcrumbs everywhere.

Acknowledgements

August 22, 2024. As I sit here on my bunk drafting what will be the final acknowledgements of the Miranda Rights trilogy with the Democratic National Convention thundering from my headphones and a release date that is suddenly monthsโ€•as opposed to decadesโ€•away, my mind keeps returning to the women who populate the pages of this book. Tasha and her maternal guilt and pride, Tussie and her dementia, the fearless recklessness of Daphne Throckmorton, the sarcasm and stoicism of Dixie, the tragedy of Amity . . . even characters like Yani and Vanessa. These women having been living in my head for so long, I keep catching myself worrying about them as if theyโ€™re real people. Especially since most of them are serving life.

As the series wound down, I was careful to leave each of them a little daylight. A little hope for freedom. But itโ€™s sad to realize that in a story that addresses issues such as undiagnosed mental illness, systemic failure, institutional drug abuse, and predatorial staff members like Jason Grantham, the only imaginative stretch, the one area where I took a little artistic license, was when I offered these ladies hope. Because for those serving life and de facto life sentences in Floridaโ€•especially those who have exhausted their post-conviction legal remediesโ€•there is no hope. Not at the moment, at least. Life means life in the Sunshine State and there is no parole. No incentive to grow, no finish line to cross, no mechanism in place to earn oneโ€™s way home through years of exemplary behavior and a demonstrated commitment to rehabilitation and education. If youโ€™ve read Letters to the Universe, particularly the โ€œPolitics and Reformโ€ section, then you know I intend to spend the rest of my life fighting for this change. In the current political climate, things arenโ€™t looking too promising. But the pendulum will swing again, and when it does, weโ€™ll be there.

Special thanks to my sweet Mom who types, and my lovely Shonda who handles interior formatting and cover design. This is a massive understatement though. These amazing women do much more than that. They form the unsung two thirds of this Ivey experiment. Without them, there would be no books . . . and Iโ€™d be lost.

Big hugs, high fives and fist bumps to readers Janet Zimmerman, Rachel Schenck, Josh Wolford, Deborah Hinton, Jo Vernier, Shae Shae, Karen Vazquez, Anna Knapp, Cameron Terhune and Sarah Voorheis. There are thousands of other authors in the world. Hundreds of thousands. Many with the full power of the Big Six publishing firms behind them and plush high-rises full of professional and intelligent people working to ensure that their novels are pitch-perfect, slickly packaged, and lining the shelves of every brick-and-mortar bookstore in America and beyond. The fact that you guys invest your time and your heart reading books that were written in prison and produced by our little family-owned operation means everything. You are a major part of this.

I also want to thank the ladies at Gadsden Correctional for keeping my novels on the preferred reading shelf in the library. I could not receive a higher compliment. I realize this honor has a lot to do with Marlo Knapp who pushes my books like Throkkie pushes Suboxone strips. Thanks Marlo. I owe a similar debt of gratitude to my good friend Sheena Law who keeps my name ringing at Lowell (when sheโ€™s not busy nurturing rescue dogs).

In addition, I gotta show some love to Tommy Roland who was born since the last book came out. Beginning with the elder statesman, Jude, Iโ€™ve welcomed seven nephews and two nieces since I began this writing journey. The acknowledgements sections of the last six novels have chronicled every new arrival over the years. Iโ€™m looking forward to relinquishing my role as the uncle in prison and spending the next chapter of my life as the uncle roaring in the bleachers at football games and applauding at ballet recitals. Almost home.

Without going into a lot of detail, I also want to acknowledge the unconditional love and strength of Rhizo mom Marie Aspley and her beautiful daughter Callie. โ€œHeaven awaits your heart and flowers bloom in your name.โ€

To my good friends Marcia Ensminger and the man known only as โ€œPilot,โ€ I hope Iโ€™m not blowing your cover when I say Wishing you a happily ever after!

Last but never least, I want to thank the people who inspire me mostโ€•Harry โ€œChinoโ€ Tipton and his sweet mom Kyong who sat next to me and my mom at five different prison visitation parks over the last 20 years. Also, Patrick Odom (itโ€™s almost over, bro), Chad Mattson, Megan Siefert, Tristan and Dara Stokes; Leah, Avery, and Nicolas Dorris; the Skills Program faculty and partici-pants at FCI Coleman; Mike Da Barber; my bandmates Jean โ€œVennyโ€ Ferreira, D, Martin, and Ghost; fellow writer Isa โ€œJ-9โ€ Thompson; to Teddy Stokes who read Year of the Firefly and immediately drew up a post-conviction motion for Miranda (look for it on malcolmivey.com soon); to my boy Ernie Davis; Matthew Perry, Josh Hite, Jeff Mitchell; Kelly and Marcus Conrad; my friends Caro Outhwaite, Jessyca Smoky, and Allison Nichole.

This will most likely be the final book I release from this side of the razor wire. If you have been riding over the years and I have not acknowledged you by name in any of the novels, hit me up on Substack and let me know what books youโ€™ve read and how you discovered them. Maybe Iโ€™ll give you a shout-out in Scar Tissue.

As always, wishing you momentum.

>ij=

I love this little collection of letters and symbols. Itโ€™s been a part of my life for almost 6 years now. Eventually, Iโ€™m sure itโ€™ll surface on some untatted expanse of my skin. Itโ€™s that special to me. I would do another book giveaway for anyone who can figure out what it signifies, but no one would be able to solve it. I doubt that even a trained CIA agent could crack the code . . .

In fact, if you downloaded Year of the Firefly or The Weight of Entanglement during this monthโ€™s eBook giveaway, you might have noticed this little dyslexic equation on the very bottom of the back side of the โ€œPreviewโ€ page. Itโ€™s near the end. But if you missed it, youโ€™re not alone. It took me over a month to spot it. And itโ€™s my book.

It all started around New Yearโ€™s of 2019 when a redhead wandered into my orbit. Like most good things in my life, it was the novels that drew her in. She read Sticks & Stones and decided to reach out. Somewhere over the thousands of emails that were exchanged over the ensuing year and a half, we became extremely close. About as close as two people on opposite sides of the razor wire can be. (For a more detailed account of this, check out โ€œShonda Kerry,โ€ an excerpt from Letters to the Universe, currently up on my Substack page.)

In addition to being beautiful, kind, and the best friend Iโ€™ve ever had, Shonda is smart, deliberate, thorough . . . So much so that when the files to my first novel, Consider the Dragonfly, became corrupted and the book appeared to be unsalvageable, she went in and saved it, learning the delicate art of interior formatting in the process. She has since expanded her skill set to include editing, cover design, and the intricacies of the independent publishing industry as well. My girl. โค For close to a decade, I longed for someone to care about these books as much as I do. I think Shonda actually cares more than I do. If that is possible. In the same way I agonize over just the right word, she can spend days deliberating over just the right typeset. Iโ€™m not sure how this level of care translates to eBooks because Iโ€™ve never actually seen an eBook, but I know that the physical books are beautiful. If you ever have the opportunity to hold one, see if you disagree . . .

But back to this little sign (>ij=) and the story behind it. Around the time Shonda was sorting out Consider the Dragonfly, she began referring to the book as =j= in her emails when notifying me of her progress. Kinda looks like a dragonfly, doesnโ€™t it? Although my first four novels were already floating around the prison systemโ€”and there had even been a newspaper article about me in my hometown paperโ€”we still tried to keep our messages about the books relatively cryptic. As long as the administration didnโ€™t specifically say I had to stop writing, I could continue mailing my handwritten manuscripts home. While it was clear that I was a big fan of the dragonfly, Shonda was more of a firefly girl. (Apparently, calling them โ€œlightning bugsโ€ is a Southern thing.) At one point she was even considering getting a tattoo of the bioluminescent insect. I know this because she sent me a two-page overview of its legend and history. Iโ€™m not sure when the first cyberglyphic firefly appeared in the back and forth of our emails, but it looked sort of like this: >i< Or maybe this: >!< Canโ€™t remember. All I know is that somewhere around the end of that first year, I started ending messages typing โ€œ=j= loves >i< 48โ€. Which, over time, she converted to a single symbol: >ij= The merging of the two into one, dragonfly and firefly in mid-flight.

Although Shonda has very little in common with the character Miranda McGuireโ€”aside from hair color and intelligenceโ€”I named the book โ€œYear of the Fireflyโ€ as acknowledgement of her arrival on the timeline of my own life. Like every other book that Iโ€™ve written since, she has been deeply involved in the post-production process. When I finally received an authorโ€™s copy in late 2020, I donโ€™t know who was more excited, me or her. I was blown away by the crispness of the font, the Astral Pipeline imprint logo on the spine, the way Miranda Rights slanted across the bottom in dark ink, how professional the โ€œPreviewโ€ page looked . . . I kept catching myself holding it like a proud father, thumbing through the pages lovingly. Remember, Iโ€™ve been in here for most of my life. And Iโ€™ll never have kids of my own. My books are my kids. My legacy. A thousand years from now theyโ€™ll still be around. Proof that I once lived and wrote here on Planet Earth. It was during one of these times, a good month after I received the book, that I stumbled upon something hidden at the end. On the back side of the โ€œPreviewโ€ page was a little collection of symbols: >ij=

She never mentioned it. Just stashed it back there to let me find it myself. My Quiet Storm. My Solitary Girl. Shonda.

This series is the most challenging thing Iโ€™ve ever written. It took over 5 years, 3 books, and 220,000 words to get down. Iโ€™m happy to be done with it even though I will miss hanging out with the women in the story. Mothers, survivors, badasses, every one of them. But itโ€™s finally time to move on. Not just from the story either. In real life too. Law of Momentumโ€”the final book in the Miranda Rights trilogyโ€”is the last novel I will write from a prison cell. Number 8 overall. My lifeโ€™s work. Iโ€™m very proud of it. It will be available on Election Day. Iโ€™ll never forget the years I spent writing it. The different cells I was in and the cellmates I had. Or all the women, free and imprisoned, who contributed to the story. But mostly Iโ€™ll remember it as the baby I had with Shonda. A little redhead girl named Miranda, radiant with intelligence and unlimited possibility. Six years after that first letter, we are still going strong. Still committed to this journey, still quantumly entangled, still putting out these books. I figured I was overdue to tell the world about her.

Entanglement Giveaway

If youโ€™ve already read Year of the Firefly, Book One of the Miranda Rights series, but havenโ€™t gotten to read Book Two yet, you can download The Weight of Entanglement FREE in eBook format on Amazon from October 18-22 (promo ends at midnight Pacific Standard Time on the 22nd). If youโ€™ve already read it, you might remember the orderly who has a broken heart tattooed beneath her eye. Well, thereโ€™s a conversation from October 1st between me and Mom that Iโ€™d like to share with you. It made our day to read this readerโ€™s comments:

Chris, I don’t remember seeing this on Amazon from three months ago. But wow. Sent to Shonda too.  ILY – Mom

Hey mom. Yes, I am aware of this ladyโ€™s review. Although the details are in dispute ๐Ÿ™‚ my version is as follows:

I have to create telling characteristics in order to differentiate the women in the books. Some are redheaded, some are blond, some are Latina, some are black… In Book Two, I gave a random confinement orderly a broken heart tattoo under her eye. Shonda says I saw it on the news. I donโ€™t recall seeing it anywhere except on many of the faceless male prisoners that have crossed my path over the years. But here is the cool part… Shonda, unbeknownst to me, found a girl with the same tattoo under her eye on the FDC inmate locater and sent her Firefly and Entanglement. This reviewer is her mom. Pretty cool, right? These books are reaching the people they are supposed to, even if the world knows nothing about them… Yet. Canโ€™t wait to send her Book Three! Just a couple more weeks(!). Love you. x

By the way, Book Threeโ€”The Law of Momentumโ€”will be available in a couple of weeks. If youโ€™ve been waiting, be on the lookout. โ€œSet against the tumultuous backdrop of 2021 and threaded with the headlines of the era, old friendsโ€”and determined enemiesโ€”return in this third book of the Miranda Rights series.โ€

Image of an unbalanced scales of justice.