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Eli

Iโ€™m institutionalized. I admit it. I never thought it would happen to me, but all these years on my bunk, in my cell, in my head are adding up. Writing has been both a blessing and a curse. The same craft that pulled me out of my old self-destructive bullshit, gave me transcendental hope, discipline, and structure has also made me insular, cynical, even crotchety. To the point where I prefer the company of the characters in my notebook over the real live people around me.

But no one writes in a vacuum. Not for long at least. Life informs art. And after four novels it got to the point where I felt like I was tapping an empty well, not to mention becoming a grumpy old convict. Things got so bad that I set a New Yearโ€™s resolution for 2019 to connect more, to laugh more, to find the humor in any given situation. Not just because it would make me a better writer but because it would make me a better man.

The universe heard and sent me Eli.

Most people enter prison dorms tentatively, if not fearfully. You never know what youโ€™re walking into. Not Eli. He blew through the door with an infectious smile, slapping backs, shaking hands and high-fiving everyone that crossed his path. Mostly handshakes though. High-fives are difficult to pull off when youโ€™re only 5 foot 5.

The son of a Senegalese father and a Jamaican mother who died when he was four, Eli is now 21 years old and serving 15 mandatory in prison. We have the exact same charges. I have often wondered how any judge could listen to Eli speak and still banish him to a prison cell for so many years. Especially considering how he easily could have been classified as a youthful offender and given no more than six.

The day after he moved into the dorm, he walked over to my bunk. โ€œI heard you write books. Iโ€™d like to read one.โ€ He gobbled up all four in a week. Then he devoured every other novel in my locker. David Mitchell, Donna Tartt, Nathan Hill, David Foster Wallace… not exactly light reading. Now heโ€™s working on his own novel. An urban Game of Thrones set in Gangland America. Heโ€™s been interviewing gangbangers for material. Itโ€™s amazing to watch him penetrate the hearts and minds and histories of these violent men. The most stoic, militant, knife-scarred murderers open up to Eli like heโ€™s Diane Sawyer. And itโ€™s not just them. Itโ€™s everyone. Inmates and officers alike. Dudes that I have never exchanged a word with in the two-plus years Iโ€™ve lived in this dorm, dudes that NOBODY speaks to, Iโ€™ll look around and see Eli on their bunks, legs swinging, deep conversation, pondering the cosmos.

It ainโ€™t all sunshine though. Heโ€™s taken his lumps. Heโ€™s already been in a couple fights. Prison is a difficult place to be when youโ€™re 21 years old. Even if youโ€™re as bright and personable as Eli. ESPECIALLY if youโ€™re as bright and personable as Eli. A lot of people donโ€™t know what to make of this eloquent, black surfer kid whoโ€™s just as fluent in Indie rock as he is in hip hop, whoโ€™s just as conversant in geopolitical affairs as he is in pop culture, who refuses to conform to anyoneโ€™s notion of how he should talk or act or be. Even mine. I give him instruction, he nods sagely, says โ€œgot it!โ€ then proceeds to do the exact opposite of whatever I said. Doesnโ€™t he realize that I know the game? That I can spare him years of misery? That Iโ€™ve been doing this prison thing since before he was born? Makes me think of how frustrated my family must have been when I was young and inexperienced and hell-bent on running head first into walls.

But heโ€™s so much farther along than I was at his age. I wish I wouldโ€™ve started writing at 21. Iโ€™d like to think I inspired Eli, that my books were tangible, physical evidence that even in this hopeless place, we can dream big. The truth is likely less syrupy. Heโ€™s probably in it for the chicks. Either that or he read my shit and thought, โ€œThis is whack. I can do better.โ€ Hey, whatever it takes. I wouldnโ€™t doubt him. (Do kids say โ€œwhackโ€ anymore? Iโ€™ll have to ask him.) While heโ€™s absolutely one of the most hardheaded people Iโ€™ve ever met, heโ€™s also one of the most intelligent. He gives me hope for the next generation. To quote the great Wally Lamb, โ€œI know this much is true…โ€ if I had a son, I hope he would be like Eli.

(Next up: Viejo. My 72-year-old Guatemalan soccer teammate.)

 

‘Decide what to be and go be it’

I recently read that the hands of a human embryo begin as webbed, spade-like flippers until cell death sculpts individual little fingers.

Nature is a master sculptor.

Another master sculptor, Michelangelo, was once asked how he had created his masterpiece, David. His answer: โ€œI looked at the stone and removed all that was not David.โ€

Writers do this, too. We pull details from the infinite and organize them in linear form to tell a story. Even the worldโ€™s oldest bestseller gives a nod to the creative process when, in chapter one, the Divine Architect fashions earth from the โ€œformless and void.โ€

There is a powerful lyric from the Avett Brothers โ€œHead full of doubt/Road full of promise,โ€ a song introduced to me by my friend Sheena when I was still struggling to transcend the straitjacket of my criminal past and evolve into something more. Itโ€™s this: โ€œDecide what to be and go be it.โ€

Simple yet powerful. Thatโ€™s whatโ€™s up. As much as we try to convince ourselves that we are fixed and stagnant, that this is just the way we are, the way weโ€™re wired; the truth is we are really the waveform in particle physics existing in a state of pure potential, primordial sludge, unwritten music, blank sheets of paper, unchiseled stone, works-in-progress tricked into believing we are finished products. It is our mission โ€” and our inheritance as offspring of the Original Creator โ€” to go forward and create our best selves.

In the timeless words of James Allen, โ€œThe oak sleeps in the acorn.โ€

A spectacular life

I have never watched Parts Unknown, never eaten at New Yorkโ€™s Brasserie Les Halles, never read Kitchen Confidential, yet Iโ€™m a huge fan of Anthony Bourdain. I first heard of him on NPRโ€™s Fresh Air. When Terry Gross introduced him as a chef, I reached for my radio to change the station.

โ€œAnthony Bourdain, welcome to Fresh Airโ€ฆโ€

I know the foodie movement is a thing out there in the real world, but here in the land of starch-grenades and watered-down pudding, the culinary craze never caught fire. I had better things to do than waste Duracell juice on some Yankee pontificating on the subtle art of five-star cuisine.

Then he began to speak โ€ฆ and I knew I wasnโ€™t going anywhere.

Dude was a natural-born storyteller. For the length of the interview, I was transported from my tiny prison cell in the Florida Panhandle to a bustling New York City kitchen, to a raft in the Mekong Delta, through jungles, across deserts, over mountains and beyond. To some of the most remote locations on the globe. To parts unknown.

Despite the diametrically polar trajectories of our lives, it became clear as I listened that Mr. Bourdain was a kindred spirit. This seems strange to say about a guy whoโ€™s eaten lamb nuts, wart hog rectum, and raw seal eyeball (especially considering that my soft ass wonโ€™t even eat an onion). Maybe it was his early struggles with hard drugs. Or the fact that he made more than his share of horrible choices as a younger man. If nothing else, we most definitely shared in the transformative power of the written word. For him, it meant a springboard to fortune and fame; for me, an identity other than career criminal. By the end of the interview, I was a fan.

When I saw his picture for the first time earlier this year in a Menโ€™s Health magazine, he looked exactly as Iโ€™d imagined โ€” tall (six-foot-four), tattoos, head full of gray hair, and a craggy, lined, lived-in face. The article was about him taking up Brazilian jiu-jitsu. Check out this quote: โ€œLook, Iโ€™m 61 years old. I have limited expectations of how Iโ€™ll do, but every once in a while, I get to feel the will to live drain out of a 22-year-old wrestler.โ€

Hell yeah.

Back to Fresh Air. Iโ€™ve listened to well over a thousand Terry Gross interviews during this prison bid. Musicians, rappers, actors, writers, athletes, activists, comedians, politicians, news correspondents, and other interesting people from all walks of life. Strange that my all-time favorite would be a celebrity chef. But it is. So I was pumped when NPR rebroadcast it a few weeks ago. I settled back on my bunk with a cup of coffee, ready to spend an hour with old friendsโ€ฆ until they cut to break and Dave Davies explained that they were re-airing the interview because Anthony Bourdain had been found unresponsive in a Paris hotel room that morning, his death ruled a suicide. Just as I had been introduced to his life via Fresh Air, I was now being informed of his departure through the same program. Talk about full circle.

Mr. Bourdain was obviously a seeker, same as all of us. He overturned stones through art, food, travel, chemicals, relationships, and even jiu-jitsu along the journey. But what exactly was he seeking? What are any of us seeking? Meaning. Gratification. Connectivity. Belonging. That unnamed and ever-beckoning โ€œit.โ€

I know many will judge him strictly on the nature of his passing. But the span of a human life is much too complex to be defined by a single instance. Though his suicide was heartbreaking, it was still a single instance, the final instance of a pretty spectacular life.

I continue to be inspired by him.

For Mom

I electrocuted myself when I was a second-grader in Catholic school. I was in the principal’s office for fighting Ryan Balthrop and thought it would be cool to jam a paper clip in an electrical socket while I waited. Something to pass the time. I vaguely remember convulsing against the wall, then being spat across the room, crashing into a nun’s desk like a meteor with my hair standing straight up and every line and seam on my palm burnt to a crisp. When my mom skidded into the Saint Pius parking lot, she was crying harder than I was.

This would become a recurring theme in our lives: me self-destructing and Mom suffering. When I hit 13 and went to juvie for the first time, Momma cried. When I was sentenced to prison at age 18, Momma cried. When I showed up at visitation with black eyes from fighting, or dilated eyes from dope, or sunken eyes from months in solitary confinement, Momma cried. And when I finally came home after ten years, Momma cried.

But just because she cried doesn’t mean she’s weak. My mom is a soldier. The strongest lady I know. Imagine witnessing your only son waste away on crack cocaine, finding him on your porch at 3 a.m. emaciated, dirty, begging for money. Only you don’t see the zombie that the world sees. You see the little boy that you rocked and read bedtime stories to and drove to football practice. Imagine arriving at Sacred Heart Hospital after learning he totaled his car and having the ER surgeon explain that if he performs brain surgery now, your child could be deaf or blind or slow, but if he doesn’t, he’ll be dead within hours. Imagine sitting by his bed in ICU, stroking his stapled head. The face you had so much hope for now vacant. Defeated. Swollen and bruised from police flashlights and boots. The same flesh you once bathed and diapered and swaddled in blankets now ripped to ribbons by police dogs. Imagine sitting in the courtroom, helpless, as a federal judge sentences him to 31 years in prison.

This story could have easily ended right there. But Mom wouldn’t let it go. She forced the issue. She continued believing in me, despite my track record of personal failure. She kept willing me forward when I thought the fight was long over, kept driving to every prison in the state to visit me, kept seeing the best in me, kept calling me on my shit when I was slipping, kept loving me for some cosmic maternal spiritual reason that only mothers and God understand.

Then one day in 2010, I asked her if she would type something for me… This became what is now the first chapter of Consider the Dragonfly. Eight years and four novels later, we’re still going strong and my old life seems like someone else’s nightmare.

I believe the stories I tell are relevant. And obviously, I hope they are entertaining. I do my best to illustrate the human condition with heart, humor, and unobtrusive prose. But the real story may be the process. I write the scenes and chapters longhand from my bunk, then six pages at a time I mail them home to Mom who lovingly types every F-bomb, every fight sequence, every overdose, then sends them back to me for revisions, which are made during 15-minute collect calls, all under the jaundiced eye of one of the nation’s more abusive and intolerant prison systems. This is the story behind the stories, the journey of a crash-dummy son and the mother who refused to give up on him.

Poor Momma. As hard as it’s been on her in real life, it’s been even worse on the page. After Consider the Dragonfly, people wondered if she killed herself. Then after On the Shoulders of Giants, many assumed she was a junkie. Now that Sticks & Stones has been out for a few months, people have been discreetly inquiring about her late-stage Alzheimer’s. She’s likely Kenny from South Park โ€” next book she’ll probably get hit by a truck. There’s a reason for this: memorable fiction is not about what goes right, but what goes wrong. And the most catastrophic thing that could happen in my world is something happening to Mom.

People also confuse me with my characters. I guess this is fair since they’re all convicted felons. If I had to select one that I relate to the most, it would be Izzy from On the Shoulders of Giants. Like him, I feel like writing gives me an identity other than failure, loser, career-criminal. But unlike Izzy, I’ve been fortunate enough to experience some positive return on energy. My novels have been mentioned in Writers Digest magazine, my hometown paper ran an article about me, I even received a personal letter from President Obama… but the crowning achievement of my writing life is that the lady I once habitually let down, humiliated, and made cry is now able to slide these books to other county retirees and fellow master gardeners and say with pride, “My son is a writer. This is his latest novel.”

Happy Mother’s Day.

Christopher vs. Malcolm

Thirteen years ago today a skinny, strung-out, zombified version of me staggered into a Circle K with a stolen pistol demanding Newports, Optimos, and all the cash in the register. An hour later, police K-9s found me hiding in a field off 9 Mile Road. The dog bites were bad enough to require stitches. The next morning, I was released from the hospital and booked into the now-condemned central booking and detention unit of the Escambia County jail. I remember scouring the floor for pieces of crack and scanning the ceilings for a place to hang myself. Good times. And there was reason to believe things weren’t going to get much better.

Friends faded, the Feds indicted me, the state was pushing for life imprisonment. I ended up getting 379 months. I was 31 years old at the time. This sentence meant it would be another 31 years before I breathed free air again. Sorta like a life sentence with a little daylightโ€ฆ if I made it that far. Once in prison, I immediately reverted to my old patternsโ€”getting high, gambling, and living unconsciously.

There is a Bob Seger lyric from Against the Wind that I have always loved. “The years rolled slowly past. I found myself alone. Surrounded by strangers I thought were my friends. Found myself further and further from my homeโ€ฆ” Soundtrack of my life. Things were getting consistently worse.

Then in 2009, in the midst of a nine-month stint in solitary confinement, it occurred to me what a colossal mess I’d made of my life. And by occurred, I mean it fell on me like an imploding building. I was 35 years old with no home, no property, no career, no pension, no children, no freedom, no future, and no legacy except for the lengthy criminal record that dated back to my 13th birthday. I had to do something to turn the momentum. Quitting dope was a good start but it wasn’t enough. I needed to rebuild myself. This is where the books come from. A few years, four novels, and one miraculous Supreme Court ruling later, my entire life has changed. Saved by the craft.

There is a scene in my latest novel, Sticks & Stones, where a skinny, hollow-eyed crackhead walks into a convenience store and pulls a gun on the petrified clerk, a scene very similar to a chapter of my own life. Except in this story, the protagonistโ€”an ex-convictโ€”steps forward to stop the robbery. A monumental struggle ensues. This is bigger than just two men battling it out on the page. This is good versus evil, past versus future, Christopher versus Malcolm.

Spoiler alert: The good guy wins.

The universe has a sense of humor

Besides my books, the crowning achievement of my middle-age years is the fact that I haven’t received a disciplinary report (DR) since 2009. A major feat, considering that my prison history is littered with rule infractions: contraband, fighting, multiple positive drug urinalyses, disrespect. I’ve probably been to the hole 50 times (my last stay was for eight-and-a-half months). I’ve lost all my gain time, been sprayed with gas, roughed up, cased up, stripped, shipped, and most painfully, had my visitation privileges yanked. It’s been a long journey.

And even when I started focusing on changing my thought patterns and behaviors, even when I committed to reinventing myself, there was still no guarantee that I could remain DR-free. The wrong guard in the wrong mood on the wrong day could result in a 30-day trip to the hole. There’s no such thing as innocence here. Every inmate is guilty “based on an officer’s statement.” This is not some injustice I’m lamenting. This is just part of the prison experience. This is life.

So it was a minor miracle that I made it seven years without incident. Unfortunately, that streak came to an end last month.

There’s this new rule designating the showers “off limits” from 7:45 to 8:00 p.m. for everyone except transgender inmates. Whether enacted from genuine kindness or some future lawsuit paranoia, I’m not sure. But even if it is a heavy-handed reaction to what’s going on out there in the real world, it’s probably a good rule. I mean, if it stops even one person from being assaulted or gives them a few minutes of peace and security in this hostile and violent place, it’s a good rule, right?

The reason I violated it is simple: I forgot. As I said, the rule is brand new and anyway, there were no transgender inmates living in the dorm. So at 7:55, fully soaped and mentally entrenched in the epilogue of my latest novel, I was confronted by a guard and informed that I was being written a DR for entering the shower during the transgender-specified time frame. How did he know I didn’t identify as transgender? Training? Expert analysis? He had a lip full of tobacco and a Confederate flag tat. I’m pretty sure he’s no expert on the subject.

But that’s not the story. Neither is the story my historic run of years coming to an end. The interesting thing about all of this is that the DR raised my custody level, which changed my housing level, which means I am now in a new dorm. My neighbors went from those with release dates within the next 15 to 20 years to mostly lifers. There’s an amputee to my left doing a mandatory 40, a blind man to my right who’s been in since 1986, and the dude across the aisle is fresh off death row. Ironic because the book I just finished writing includes an amputee, a blind man, and a death row subplot. Either the universe has a sense of humor, or its satellites are delayed. Where were these guys while I was researching On the Shoulders of Giants?

[This post originally appeared on http://www.malcolmivey.com 5/15/16.]

The Behemoth and the Snowflake

They say that upon finishing a manuscript, writers should do something outside their comfort zone. Learn a foreign language, pick up a musical instrument, take a cooking class. Something that causes a different part of the brain to light up. I chose to learn Silat, an Indonesian fighting style that focuses on blocks, strikes and grappling.

The dude whoโ€™s teaching me is my polar opposite. A 330-pound, former powerlifter, military historian, ex-bouncer, Limbaugh-loving, NRA conservative who is always talking about the liberal media, fake news, and politically correct safe-space snowflakes.

Full disclosure: I think Iโ€™m a snowflake. Especially if that means Iโ€™m into human rights, civil rights, common sense gun legislation, clean water, clean air, and kindness. I even have a letter from President Obama in my photo album. Doesnโ€™t matter. Through Silat, this neo-con behemoth and I seem to have found common ground, and after a little over a month of drilling, training, and sparring, I am excelling at the art.

It feels good to be excelling at something because lately Iโ€™ve been questioning my ability as a writer. My Amazon author ranking is hovering around two million (are there even two million authors in the world?). Literati industry snobs ignore my existence and, worst of all, my magnum opus, my Pillars of the Earth, my lifeโ€™s work and beautiful child, On the Shoulders of Giants, has failed to place in a single contest this year. Crushing. I knowโ€ฆ I sound like a whiny snowflake. Whatever.

So it was with a fair amount of hesitance that I passed my novel to this gruff, Fox News defensive tackle. I would have never considered doing so had he not already proven to be extremely intelligent and well readโ€ฆ almost to the point of arrogance. I wanted to earn his respect.

He smirked when he accepted it. โ€œYou wrote this?โ€ I knew I was setting myself up for failure. On the Shoulders of Giants is a novel about race, addiction, lost love, gun violence, foster care and the Arthur G. Dozier School for Boys. Even the title is a nod to a famous President Obama speech. Not exactly required reading for Republicans. To further lengthen the long odds of his acceptance, dude is a sci-fi fan. I had already spotted Frank Herbertโ€™s Dune series stacked on his bunk. Our literary tastes are as diametrically opposed as our politics. The question was not so much would he like the book? as it was would he finish it? Apparently my sadomasochistic snowflakery knows no bounds.

In the ensuing days, I watched him from across the dorm. Heโ€™s about as rough on a novel as you would expect from a sausage-fingered, powerlifting grizzly bear; dog-earing pages, folding the book back on its spine, setting his morning coffee on the cover. About midway through, we were sparring one day when I asked him how he liked it so far. He rolled his eyes. โ€œLaden with white guilt.โ€ But he read on.

It took less than a week for him to knock it out. One night he came and sat on my bunk, coffee-stained, dog-eared novel in hand. โ€œYou know,โ€ he said, โ€œwhat happened to Scarlett wasโ€ฆโ€ He couldnโ€™t finish his sentence. โ€œDid you like it?โ€ I asked. Tears streamed down his face. All the answer I needed. I placed a hand on his massive back. Humbled. Honored. Screw the contest snubs and academic cold shoulders. This guyโ€™s emotional response was all the accolade I needed. A supreme compliment from the unlikeliest of readers.

And, by the way, itโ€™s Mister Snowflake to you. Donโ€™t forget, I know Silat.

Paradox and reluctant compassion

Every writer loves a good paradox. Our brains are trained to sniff out life’s Catch 22s and spin them into plot points:

A doctor must decide between saving a pregnant mother or her unborn child. A cop with a drug dealer son must choose between loyalty to the job and loyalty to his family. A general has to decide between bombing a village or letting an international terrorist slip away…

These agonizing decisions are the beating heart of good fiction. They keep the pages turning and the reader engaged. But in real life, such dilemmas are a lot less fun. Consider the most recent in my world…

You’ve probably heard me talk about the blind man. He’s been in prison since 1986. I met him a couple of months ago when I moved into my current dormitory. He challenged me to a game of knock gin with his Braille playing cards and we’ve been cool ever since. I walk with him to the chow hall for meals, and most evenings we listen to Braves games together.

For the record, I am not friendly and I don’t require camaraderie. I think of myself as fully self-contained. I could do years on this bunk without speaking to a soul and be perfectly fine. I really prefer the conversation in my head to the conversations around me, and get cranky whenever someone interrupts. But I was intrigued by the blind man. Although my latest novel,ย On the Shoulders of Giants,ย touches on a form of blindness called retinopathy, I’ve never actually hung out with a blind person and I was curious to learn how accurate my assumptions were. Plus, this dude has a sunny disposition in spite of his handicap and I admired his self-sufficiency.

The more I got to know him, the more I liked him. He told me stories about riding bicycles while flanked tightly by his two brothers who kept his course true, about the one time he drove a car (!), about his proficiency at the sport of wrestling as a kid in the 50s. When I asked him about the school for the blind where he lived from ages 5 to 18, his usual smile faded. “There were some nice people there, but some were just plain evil.”

I shouldn’t have looked him up. I usually don’t. Nobody is in prison for going to church, and I’d rather not know the sordid details of people’s criminal histories. But there are a couple of exceptions: 1) if we’re cellmates; and 2) if we’re friends. Then I need to know.

In hindsight, it was pretty obvious. What else could he be in prison for? Racketeering? Arson? A blind armed robber? I think I just assumed it was murder. I mean, he does have a life sentence. Turns out, it was something much uglier. Sexual battery. The worst kind. On a child younger than 12. Enter the paradox.

I know what you’re thinking: What paradox? He’s a diaper sniper. Case closed. I feel you. In the hierarchy of prison, child molesters are at the very bottom of the food chain, just below punks and snitches. During my quarter-century in the joint, I’ve witnessed them get turned out, pimped out, and traded like baseball cards until they eventually either commit suicide or check into protective custody. Those who manage to escape that fate are still robbed, extorted, or at the very least, slapped around and relentlessly ridiculed. Although I don’t participate in the abuse, I don’t have any sympathy either. I see it as karmic law in action.

I’m sure there are parents out there who take small solace in the fact that these men are being tormented in here. I know if one of my nieces or nephews were victimized, I would transfer to every prison in the state until I found the predator and punished him for his actions.

But this blind man… I can’t make myself hate him, or even be cold to him, in spite of whatever he did thirty years ago. This is a big-time conflict of interest. No self-respecting convict would ever treat a cho-mo like a human being. I keep rationalizing, maybe he’s innocent. It seems like the only thing worse than being a child molester is being an innocent man wrongly convicted of those charges.

And then there’s the evil he alluded to at the school for the blind. They say most predators were once victims. The idea of a little blind kid, hundreds of miles from home, being abused by some twisted staff member is as sickening as it is heartbreaking. I couldn’t hate that kid, even though he is now pushing 70. The best that I can do is this reluctant compassion. But see what I mean? Paradox.

[This post originally appeared on malcolmivey.com in July 2016.]
ย 

A transformative craft

โ€œIf your life were a book, would you like your character?โ€

These words have been nibbling at my conscience for years, surfacing at the most inopportune timesโ€”while cheating on a girlfriend, stealing from a family member, cooking cocaine in a spoonโ€ฆ The answer was always the same: โ€œNo, I would not like my character. I would hate my character.โ€

There are few things in this world as unsustainable and soul-sucking as drug abuse. This is far from breaking news. The hard math states that someone in your orbit is suffering right now, be it your child, sibling, significant other, friend, neighbor, co-worker or yourself. For most, the needle and the crack pipe are a life sentence of enslavement. However, there are exceptions. Some find Jesus, others escape through a 12-step program, and I would never underestimate the healing properties in the love of a woman. But for me, the way out was through the written word.

When I first beganย Consider the Dragonflyย I did so in desperation. It was a Hail Mary, a half-court buzzer beater, my last shot to escape the quicksand of my old patterns and do something honorable. The universe gave me the bonus plan. Barely a few pages into the first chapter, the characters shimmered to life. Protagonists and antagonists whispered backstory into my heart, explaining why they were the way they were, confiding secrets and fears and dreams, drawing me deeper into the world of story. And while I was busy being a conduit, head down, scribbling furiously, a sort of alchemy was taking place in my own world. Impulsivity was converted to discipline. Recklessness was exchanged for structure. I was suddenly protective of my remaining brain cells and mournful of those I had squandered. The craft was changing me.

There is something empowering about writing a novel, something spiritual about plugging into the collective consciousness and transcribing the flow of words from the ether, something transformative. Iโ€™ve been clean for a few years now. My second book,ย With Arms Unbound, will be outย this summerย and Iโ€™m presently knee-deep in a new project. Some will say that Iโ€™ve merely swapped addictions. Maybe so. Iโ€™m cool with that. Because today when that old question pops into my headโ€”โ€œIf your life were a book, would you like your character?โ€โ€”the answer is a resounding “Hell yeah!”

[This post originally appeared on malcolmivey.com 6/1/14 as “Writing: A transformative craft”.]